Music composition/cognition
Cognitive Science Program
Indiana University, Bloomington
| In Print | |||
| Todd, P.M. (1999). Simulating the evolution of musical behavior. In N. Wallin (Ed.), The origins of music. Cambridge, MA: MIT Press. More information | |||
| Todd, P.M., and Werner, G.M. (1999). Frankensteinian approaches to evolutionary music composition. In N. Griffith and P.M. Todd (Eds.), Musical networks: Parallel distributed perception and performance. Cambridge, MA: MIT Press/Bradford Books. More information | |||
| Werner, G.M., and Todd, P.M. (1997). Too many love songs: Sexual selection and the evolution of communication. In P. Husbands and I. Harvey (Eds.), Fourth European Conference on Artificial Life(pp. 434-443). Cambridge, MA: MIT Press/Bradford Books. More information | |||
| Todd, P.M. (1992). A connectionist system for exploring melody space. In Proceedings of the 1992 International Computer Music Conference (pp. 65-68). San Francisco: International Computer Music Association. More information | |||
| Todd, P.M. (1991). Neural networks for applications in the arts. In M. Scott (Ed.), Proceedings of the Eleventh Annual Symposium on Small Computers in the Arts (pp. 3-8). Philadelphia, PA: Small Computers in the Arts Network, Inc. More information | |||
| Trubitt, D.R., and Todd, P.M. (1991). The computer musician: Neural networks and computer music. Electronic Musician, 7(1), 20-24. More information | |||
| Todd, P.M. (1989). A connectionist approach to algorithmic composition. Computer Music Journal, 13(4), 27-43. More information | |||
| Bharucha, J.J., and Todd, P.M. (1989). Modeling the perception of tonal structure with neural nets. Computer Music Journal, 13(4), 44-53. More information | |||
| Todd, P.M. (1988). A sequential network design for musical applications. In D. Touretzky, G. Hinton, and T. Sejnowski (Eds.), Proceedings of the 1988 Connectionist Models Summer School (pp. 76-84). San Mateo, CA: Morgan Kaufmann. More information | |||
| Reviews | |||
| Todd, P.M. (1989). Review of T. Kohonen, A self-learning musical grammar, or 'Associative memory of the second kind.' Neural Network Review, 3, 114-116. More information | |||
| Books | |||
| Griffith, N., and Todd, P.M. (Eds.) (in press). Musical networks: Parallel distributed perception and performance. Cambridge, MA: MIT Press/Bradford Books. More information | |||
| Todd, P.M., and Loy, D.G. (Eds.) (1991). Music and connectionism. Cambridge, MA: MIT Press. More information |